Category Archives: YA 14+

Bugs – Whiti Hereaka

Bugs – Whiti Hereaka
Young Adult, NZ fiction. Five stars.
9781775501336

I think Bugs may well be one of the most believable, angry, perverse, defensive and clever adolescent characters I have read, in quite some time. She’d be bloody hard to have around, but you’d have to admire how staunch she is, not that she’d care. And don’t bother trying to pull the wool over her eyes. She’s already decided what she thinks of you, and most likely you’re not going to get a Christmas card any time soon.
Bugs, and her mate Jez, live in picture perfect Taupō. But, as Bugs points out, it’s not really perfect:

‘I’m walking home from work. Mum likes to make out like I’ve earned her trust back, but I reckon it’s because she’s working late and Uncle can’t be arsed. So I get to walk home unsupervised – big whoop – like I’m some seven-year-old. But it’s the only chunk of freedom I’ve been allowed these holidays, so I’ll take it. And it’s kind of nice to wander home; it’s warm in the afternoon but not too hot yet. It’s that funny time in spring when the world seems confused: daffodils and snap frosts, lambs born too early dying in the cold. That time when you can sit at the lakefront in just a t-shirt and look at the mountains still frozen with snow and think it’s like a postcard – but then the mountains remind you that they’re real: the wind changes and their cold breath chills you.’

And a lot of this is what the book is about – the conflict of expectation and reality, rich and poor, poor and poorer, youth and age, surface and depth, good and bad, absolute and relative, what-I-see and what-you-see. The setting of volcanically active Taupō, with its volcanoes angry below a cracked surface of boiling mud pools and geysers, is a brilliant metaphor for adolescence and adds to the feeling that something is going to blow at any time. Lake Taupō was formed by a volcanic explosion, and Ruapēhu is still actively rumbling.

Bugs, like any teenager, is a bundle of conflicts. She’s clever enough to question the adults around her, and to examine the school system, actually every system, and find it very much wanting. But she’s also quick to judge, and decide what others believe and think. That adolescent ‘don’t judge me, but I’ll judge you.’ She’s angry. A lot. But she’s also vulnerable. Jez is her best mate and has been for ever, and now Stone Cold, the new rich chick in town, is trying to get in on the act. Bugs trusts no-one, but she especially doesn’t trust Stone Cold, who seems to have everything and value nothing.

Bugs resents the way the school tries to ‘motivate’ Māori youth:

I was barely older than that kid, that time the teachers rounded up all us kids – actually rounded us up – no shit, it was like the teachers were header dogs…Anyway, there’s all us kids – OK Māori kids – rounded up for a seminar on Māori ‘achievement’. What it really was – a bunch of loser seniors saying how hard they’d worked to pass. Just pass. And then they hit us over the head with statistics about how most of us would fail; most of us would amount to sweet F.A. And it was supposed to be motivating.

Bugs is determined to do things her way. But that doesn’t mean she always manages to. She gets sucked into the vortex of bad decision making, lots of times. For the right reasons and the wrong reasons. And she’ll try to prove to you why she’s right, even when she knows she’s skating on thin ice. And don’t try to predict the outcome, because she’ll write her own script, thanks very much.

Congratulations, too, to Huia Publishing, who have made this book a pleasure to hold and read in hard copy. The spine feels strong and flexible, the pages are a good quality paper, and space is given between chapters to reflect – not that you want to pause, because the plot is compelling and drives you on. I think that the white and black of the cover, with its shot of red are superb. But I especially like the back, with the voice of Bugs already defined and strong:

‘They call me Bugs. As in Bunny.
Yeah,
I know.’

Without wanting to labour it, that all of the words except ‘I know’ are written in red (on white) with I know written in black, we already have a flavour of the character to come – who are ‘they’? The emphasis on I know – at once linking the reader (we know it’s dumb) and separating the reader (she doesnt know what I think) – ‘knowing’ is such a tenuous concept in this book.

There is so much to say about this book, but you’d be better off reading it. Be prepared to be challenged and to be richer for the experience.

I don’t think that my Year 11 son’s English teacher will use this as a text – although she should, but its language and blatant sex talk may challenge their boundaries. No actual sex, though, for those who are worried.

This is a vastly superior coming of age novel to any I have read in a long time. It is well deserving of a short listing for this year’s NZ Post Children’s Book Awards…I just wish they would properly sort their categories – because I would recommend (not censor – an important discrimination) this book for 14yrs+. 

I got my copy through Fishpond

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Filed under Book Review, coming of age, Five stars, New Zealand Post Children's Book Awards, New Zealand Writer, YA 14+

Ready Player One – Ernest Cline

Ready Player One

Ready Player One – Ernest Cline

I have to admit that I would not have picked up this YA novel to read, optionally.  It was set as homework for me by one of my students, at school.  While I’m not sure I think it was, ‘completely fricking awesome,’ (Patrick Rothfuss) and I admit that I don’t know if it is ‘pure geek heaven,’  (Chris Farnsworth) or not, and I am usually suspicious of any novel that uses three pages to quote recommendations for the book in its beginning (less is more, in my opinion) I found this a very readable, engaging 4/5 star novel.

If you’re not drawn in by the futuristic real and virtual world (the teenager), then you are likely to be hooked in by the 80’s references (the parent).  Basically, the novel is set in 2044.  Things in the real world are pretty bad, what with there being no oil, weird climactic conditions, over population and terrible extremes of poverty and wealth.  Most people choose to spend most of their time in a virtual world called OASIS, developed by James Halliday.  When Halliday, who becomes super wealthy, dies, he has no heirs.  The book begins…

‘Everyone my age remembers where they were and what they were doing when they first heard about the contest.  I was sitting in my hideout watching cartoons when the news bulletin broke in on my video feed, announcing that James Halliday had died during the night.’

Of course, with no heirs, who will inherit the huge dynasty, virtual and real, that he has built?  Inevitably, he sets a challenge, a quest, ensuring the winner will be someone truly worthy of his fortune, and suitably qualified to manage his world.  The quest is presented through a video message, ‘actually a meticulously* constructed short film titled Anorak’s Invitation’ (Anorak being Halliday’s Avatar).  As an aside, I can’t help but think that Anorak is a slightly unfortunate name for a socially reclusive computer geek – worrying, even.  But this classic quest is worthy of a Greek Legend.

“before I died,” Anorak says, speaking in a much deeper voice, ‘I created my own Easter egg, and hid it somewhere inside my most popular videogame – the OASIS.  The first person to find my Easter egg will inherit my entire fortune.’

Another dramatic pause.

‘The Egg is well hidden.  I didn’t just leave it lying under a rock somewhere.  I suppose you could say it’s locked inside a safe that is buried in a secret room that lies hidden at the centre of a maze located somewhere” he reaches up to tap his right temple – ‘up here.’

‘But don’t worry.  I’ve left a few clues lying around to get everybody started. And here’s the first one.’  Anorak makes a grand gesture with his right hand, and three keys appear, spinning slowly in the air in front of him. They appear to be made of copper, jade, and clear crystal.  As the keys continue to spin, Anorak recites a piece of verse, and as he speaks each line, it appears briefly in flaming subtitles across the bottom of the screen:

Three hidden keys open three secret gates

Wherein the errant will be tested for worthy traits

And those with the skill to survive these straits

Will reach the end where the prize awaits.

Five years go by, and none are able to crack the bad poetry – I mean – super clever code!  Enter Wade Watts, poor orphan neglected by his evil stepmother – I mean – drug addled, mean-as aunt, having to make his own way in the world.  Wade Watts navigates the straits with the kind of light bulb moments his name suggests.  Talk about the anti-hero.  Wade Watts is an overweight, super geeky, social recluse who deals with his life by withdrawing almost permanently into the virtual world Halliday created, becoming a ‘gunter’ (geeky Easter egg hunter).  With all the time he has on his hands, Wade becomes an expert on the 1980’s and Halliday.

Miraculously (Yes – I do have a slightly raised eyebrow here):

‘on the evening of February 11, 2045, an avatar’s name appeared at the top of the Scoreboard, for the whole world to see.  After five long years, the Copper key had finally been found, by an eighteen-year-old kid living in a trailer park on the outskirts of Oklahoma City.

That kid was me.

Dozens of books, cartoons, movies, and miniseries have attempted to tell the story of everything that happened next, but every single one of them got it wrong.  So I want to set the record straight, once and for all.’

I’m no technology geek.  I have two teenage sons for that.  But, I was completely engrossed in most of this story.  The plot is complex.  I love a mystery – and the clues (if not the verse) got better.  It was possible to work things out – especially if you lived through the 1980’s.  I remember when the Commodore 64 was flash.  We had a machine we plugged into the TV and I remember coding in Basic for hours to watch dots move across the screen, using IF/THEN to make things a little more exciting.  So, this book was fun to read from that perspective.

But   it also has all of the necessary elements for any great quest – the under dog/pauper seeking a fortune and perchance a princess, the arch nemesis and his army (in the form of Sorrento and the Sixers), success, defeat, Monty Python, The Tempest, Castles, Sir Lancelot and more.  It’s almost as though the author wrote down everything he knew, and somehow incorporated it into the novel.  By the way – Ernest Cline – the name is a worthy pseudonym, and I suspect he is an avatar…really…an earnest geek, a cline… (a continuum with an infinite number of   gradations from one extreme to the other)…Visit his very cool website here:   http://www.ernestcline.com/blog/about/

There were moments when the plot had too many easy answers.  There were moments when it was just a bit too geeky for me.  There were moments when I was confused by the sheer amount of information I was given.  However, this really is a good book.  A serious 4/5 stars for me.  I recommend it.  Even if there are parts you read once over lightly – a bit like a technical manual, there are other moments you will connect with and take delight in.  You might even go and watch an 80’s film or two, and reminisce.

Age group: 13+ (complex)

* meticulous   may be a slightly over used adjective, in spirit if not in actual word, in this novel.

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Filed under Four stars, speculative fiction, Uncategorized, YA 14+

Into the River – Ted Dawe – R14

Into the RiverM – Readers 15+, Classified R14

Winner Young Adult Category, and Overall Winner, NZ Post Children’s Book Awards, 2013

It is illegal for this book to be sold to children under 14 years of age.

This book is the prequel to Ted Dawe’s Thunder Road (2003), which won both the Young Adult and Best First Book awards in the 2004 NZ Children’s Book Awards.  Having read ‘Into the River’, I am very keen to read ‘Thunder Road’.  One of the things about a prequel is that it is always leading to a thoroughly told beginning, and so there is an inevitability to the story. Even though I haven’t read Thunder Road, I could really feel the inexorable drive of this story.  I think this is a real strength of the book.

Preview of Into the River

The story beings with young Te Arepa and his best friend Wiremu eeling.  This is beautifully written, with the friendship between Wiremu and Te Arepa having real legs.  The dialogue and interaction have a truth to them that draws the reader ‘Into the River’ with them, as they catch a monster eel:

He’s a monster!’

‘He’s the taniwha of the river!’

The eel made his leisurely way downstream, the hook projecting from the side of his mouth.  The boys trotted along, keeping pace.  After fifty metres, the river changed course and crossed a shallow ridge of river boulders.

‘We can get him when he crosses the rocks,’ yelled Wiremu.

As if it heard, the eel immediately made for the bank.  It nuzzled its way into the reeds immediately above the rapids.

Now’s our chance,’ said Te Arepa.  ‘We might be able to drag him over to the rocks.’

They let the line go slack and ran to where it was shallow enough to cross.  Once they were halfway across, they began to pull together.  At first it seemed pointless.  Nothing would shift this monster.  But then his head appeared and he made a dash straight past them over the rushing rocks.’

However, as the back of the book says:

‘Some rivers should not be swum in.  Some rivers hold secrets that can never be told.

When Te Arepa Santos is dragged into the river by a giant eel, something happens that will change the course of his whole life.  The boy who struggles to the bank is not the same one who plunged in, moments earlier.  He has brushed against the spirit world, and there is a price to be paid; an utu to be exacted.’

As you may have noticed, Te Arepa’s last name is Spanish.  The telling of the story of Diego, the ancestor who gave Te Arepa his last name, is a fantastically wrought tale told over three nights to Te Arepa and his younger sister Rawinia, by their grandfather, Ra.  All of this tale weaving lulls you into a false sense of security.  You feel, as a reader that, when Te Arepa is offered a place at an elite Auckland Boarding School for boys, he has the strength to cope and to hold on to who he is.

But it doesn’t quite work like that.

As Paikea drives him to Auckland in her courier van, Te Arepa becomes transfixed with her driving – the way that she seems at one with the vehicle.  He has his first lesson (despite being 13 years old).  At school, he is given a new name – Devon – and makes he friends with the worldly and world weary Steph, athlete and petrol-head Mitch, and farm boy Wingnut.  Progressively, Devon separates himself from everything that identifies him as Maori, because of the consistent and persistent bullying from the older boys and even the masters.  His first year at school reveals some cracks, but his second year is relentless.

While there may seem to be some similarities between ‘Snakes and Ladders’ (another NZ Post Children’s Book Awards nominee) and ‘Into the River’ (small town boy is moved to elite Auckland boarding school, where he needs to learn to deal with the super rich and the bullies, as well as the eccentricities of elite boarding school life) in reality, there are few.  This tale is an absorbing, relentless, addictive read.  The characters are well drawn and three dimensional  – although not always likeable.  There is an inevitability to the story that feels real, even though you don’t want it to be that way.

This book is definitely 14+ in my view, as sex, drugs, alcohol etc feature relatively prominently – but not gratuitously (at least most of the time…it does occasionally slip into 14yr old fantasyland…IMO)  Recommended.  4/5 stars.

Read more about Ted Dawe here:

Ted Dawe

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Snakes and Ladders – Mary-Anne Scott

Snakes and ladders

I have just finished ‘Snakes and Ladders’ by Mary-Anne Scott, nominated for the YA section of the NZ Post Children’s Book Awards, 2013.  Scholastic have put together a set of teacher notes for the book, which may be valuable for those intending to incorporate it into a Secondary School English class. I hesitate to post a less than enthusiastic review, especially of new New Zealand books, however, in my opinion, this book was just OK – 2 – 2.5/5 stars.

Finn Fletcher lives in small town, Waimea.  He has a somewhat strained relationship with Anne, his mother, who seems to spend a lot of time anxiously trying to make things good for Finn.  Valerie, his grandmother, and Anne want Finn to move to an elite boarding school in Auckland, ‘This is a great opportunity to broaden your horizons’He intended broadening his horizons that very evening, if things went to plan.’

His father, druggie Duggie, lives in a filthy shack, plays drums in a band, and grows marijuana.  Finn drops in on his Dad occasionally,  ‘Something acid was burning his throat and the smell of unwashed bedding in this pigsty wasn’t helping.  It was years since Finn had been in his father’s bedroom and the loneliness and poverty of his life seemed to be seeping out of the walls.’ 

His grandfather, Poppa has an orchard and Finn does the bookwork once a week for him.  ‘Well done, Finn.’ His grandfather tapped the side of the computer screen. ‘It’s remarkable how quick you are on this thing.’  A reluctant surge of love ran through Finn and he tossed his grandfather a rare, heart-stopping grin.’

Poppa’s housekeeper, Mrs P, adores Finn, ‘She was always patting and mauling Finn and this morning her dimpled flesh was enough to trigger an overreaction. He pulled away.  And, when she tries to pop some pikelets into the glove box of the car as he leaves, ‘he felt like jamming her fingers in the compartment door.’

Finn has a girlfriend, Alison, who seems (to be quite honest) far too good for him and a group of friends she describes as ‘drop-kicks’, which might be a bit harsh – but only a bit…

So, life is pretty much on a normal track at the beginning of the novel.  He’s playing sevens, which he loves, he’s coasting at school, he’s got things working pretty well for him, at a pretty minimal effort.  Every adult is treated with the great teenage contempt, girls are for seeing how far you can get, and Saturday nights are for parties and drinking.  Then, one morning, after an especially drunken night the night before, Finn discovers that his father is in serious trouble.  He is accused of having hit and killed a girl.  In the face of the great small town rumour mill, Finn decides to go along with his Grandmother’s idea of sending him away to an elite Auckland boarding school.

Life at boarding school, with the very rich, creates a whole new set of challenges for Finn, including learning how to deal with bullying and meeting a whole new kind of girl.  He also makes two good friends in Hobbsie and Andy – although he consistently treats them pretty badly.  It’s hard to see what they get from the friendship. Everything leads up to the ever important Ball, and the after-party.  This leads to a tragic event that forces Finn to confront his past, and to take some steps towards putting things right.

Ultimately, this novel was just too clichéd in its character,  and plot.  I found that I had lost all belief, compassion or connection with Finn, the main character, after page 2 of chapter 2.  Yes, teenagers can be self-centered and make stupid decisions, but this book never really rose above that for me.  In addition, it seemed the adults in this situation did very little to help Finn to realise the enormity of the impact of his behaviours.  They were all very forgiving, and accepting, recognising what was most important was to move on.  These were all very easy solutions.  I would be reluctant to leave teenagers with this view of the impact of their decision-making.

While I did read to the end, it was disappointing. I kept hoping for something more to sustain the plot. Unfortunately the writing presented very few treasures. Hints were clunky, and Hobbsie and Andy just did not have the credibility to sustain the story.  The heartbreak in the ending for me was the over easy solution to some unbelievably serious issues.

Sadly, this is not one I will be recommending, but I will try it out on one or two others to see what they think.

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The Nature of Ash – Mandy Hagar

The Nature of Ash

Go to your bosom; Knock there, and ask/your heart what it doth know. Measure for Measure – William Shakespeare. (Epigraph to ‘The Nature of Ash’)

‘It’s so bloody unfair.  If those sabre-rattling douches shut the country down, we’ll be sent home.  And once you drop out of uni, it’s damn near impossible to get back in. So much for my grand plans of doing good: there’s no way I can be a speech and language specialist if I don’t complete the full three years.  With nearly half the working population unemployed already, and all the decent jobs reserved for those who have the right contacts – the stinking rich – chances are we’ll end up slaving in some sweat shop – or, worse, signed up against our wills to fight another no-win war.  But, worst of all, back to a life as boring and predictable – and hard – as it was before.’

This is ‘the nature of Ash’ at the beginning of this action-packed, dystopian, political thriller.  As well as representing the journey of Ash from self-absorbed teenager, revelling in the boozed life of a uni hostel, to Ash – political activist, hero and provider for all – (hmmm…) the title is resonant, because ‘ash’ brings to mind so many literary allusions that is has real depth as a metaphor.

This novel is set in an unspecified future in Wellington and Whanganui.  While we are not ever directly told it is the future, we make that assumption because of the referral to relatively new buildings (Te Papa and the Cake Tin – Westpac Stadium Wellington) as being the ‘old’ museum and the ‘old’ stadium.  Kowhai Park in Whanganui is, sadly, a wreck as well.  The political world is a mess, with an evil Bill Chambers as Prime Minister, and the Western Alliance – aka WA (USA, UK, Australia, Taiwan, Malaysian Federation, Republic of Indonesia, Peru) and the United People’s Republic – aka UPR (China, East Russia, United Korea, Japan, Republic of Indochina, Fiji and Chile) being the big boys that little New Zealand is squeezed between.   There are also State-siders – citizens of the USA.  The only State-siders  referenced in the book are evil manipulators of Muru – an activist group that has been taken over by WA secret service agents (aforementioned state-siders) for their own wicked purposes.

These acronyms dehumanise those involved to the extent that they become paper-thin manipulators and manipulated, according to the needs of the plot.  Shaun McCarthy, of the CTU (Combined Trade Union) is the face of the good guys – and the book is littered with his pithy aphorisms, reminding us of exactly what a good guy he was – Freedom has a very thin veneer if you look too closely.  He is Ashley’s dad, and is killed in a bombing of CTU headquarters at the beginning of the story – but who did the bombing – and who did the manipulating become the question.

New Zealand is effectively in a state of war.  Ash has to get his younger brother Mikey, who has Down Syndrome, to a safe place, and along the way collects together a somewhat eccentric band of followers.  There is Jiao, a Chinese student whom he is initially suspicious of, since he assumes her allegiance to the UPR.

‘How the hell can they get away with this?  It’s an outright act of war.’

‘They?’ Jiao’s eyebrow lifts.

‘Come on.  Even you must see that it’s the UPR.’

She tucks the collar of Dad’s dressing gown under her chin. ‘Jumping to conclusions never helps.’

‘Conclusions?’ I bark it out before I can switch down my volume.  ‘It’s pretty bloody obvious.  They’ve been screwing with our politics for years.’

As you and every country in the Western Alliance have screwed with theirs.’

However, Ash develops trust for Jiao as he sees Mikey’s devotion to her.  And there is Travis – alcoholic and would be drama student, son of Police Officer, Jeannie Smith, who takes an initially unfathomable maternal role in the story.  And Erich, neurosurgeon turned ‘green’, and (handily) benefactor and Lucinda Lasch, dad’s lawyer, who to Ash’s surprise and admiration – Fuck me, she really is a porn star! All she needs is fishnets and a whip, was possibly his father’s girlfriend as well.  Ash is very hormonally driven – although maybe this was a little over done.  Having said that, it wasn’t unbelievable, just tiresome.

The story moves along at a cracking pace.  There is always another twist to the plot, another character flaw or strength to be revealed and another of Dad’s pithy aphorisms ‘Note to self: Dad was right. Irony is just hypocrisy with style.’  Certainly Ash is a well drawn character, and this story is exactly as self-absorbed and black and white as his character should be.  And I think that this is appropriate.  Very few of the other characters in this story are really fleshed out to any degree at all, except with their relevance to Ash, although there are a few attempts, ‘Note to self: nobody is as straightforward as they first seem – even pissheads (and big busted girls originally from the UPR)’.

There are some real strengths to this book – the plot is complex and relatively unpredictable.  There are no zombies or vampires – which is a relief.  Ash is a believable character, in many ways.  I can  see it appealing to a wide readership.  The political stance and eco-politics asks readers to reflect on how our society could end up, if we are not vigilant and thoughtful.

O, it is excellent
To have a giant’s strength; but it is tyrannous
To use it like a giant.

(Measure for Measure, William Shakespeare).

It is certainly no hardship to read.  I read it in two sittings, in under a day.  I found myself comparing it to other titles – for example, Tomorrow When the War Began.  I vastly prefer Ellie to Ash as a character, but as I reflected on the similarities and differences between the two, I realised that The Nature of Ash doesn’t brush over the politics, the politics drive the book, possibly to the detriment of character.  It kind of makes Tomorrow, When the War Began feel a little lightweight in comparison.  It is good to have provocative literature.  There were strongly  espoused beliefs in here that could do with exploration.  This should bring about many a lively discussion – I really hope so.  I give this about 4/5 stars, because there is so much that is worthwhile in it.  I see it as best suited to readers of 13+.

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Filed under Children 12+, Five stars, Four stars, New Zealand Post Children's Book Awards, New Zealand Writer, YA 14+

Holes – Louis Sachar

Holes

‘If you take a bad boy and make him dig a hole every day in the hot sun, it will turn him into a good boy.
That was what some people thought.’

Stanley Yelnats is not a bad boy, but thanks to his no-good-dirty-rotten-pig-stealing-great-great grandfather, he does have some pretty bad luck.

‘Stanley Yelnats was given a choice.  The judge said, “You may go to jail, or you may go to Camp Green Lake.”
Stanley was from a poor family.  He had never been to camp before.’

But, as he discovers when he gets to Camp Green Lake, there is no lake at Camp Green Lake…

This novel has been described as ‘groundbreaking’ – I can only hope that was a deliberate pun.  What I like about this novel is its down to earth (I know, I know), spare language, which generally leaves a lot more unsaid hanging in the air, than it says. It’s eloquent in its brevity.  For example, this is the description of Stanley’s first meal and shower at Camp Green Lake:

‘Stanley took a shower – if you could call it that, ate dinner – if you could call it that, and went to bed – if you could call his smelly and scratchy cot a bed.’

It doesn’t take many pages before kids are asking, ‘What’s up with the three thing?’  Oh!  You’re asking me about literary devices, now?  Well, if you insist!

In that sense, it’s a perfect boy novel – there’s not a lot of deep talk going on.  But it’s deep, for sure.

Four stories are woven together.  The stories of Elya, Stanley’s great-great-grandfather; Kissin’ Kate Barlow and Sam the onion man; and the Zeronis are peppered throughout Stanley’s story, at seemingly random points, with little clues thrown in to gradually make the reader aware of how they connect, and some pretty powerful imagery is thrown in, to boot.

Stanley finds himself in with a bunch of youths that may well have been the kind to bully him in his previous life.  They all have nicknames like Armpit, ZigZag, X-ray and Zero – although Stanley’s not entirely sure that Zero is a nickname.  The boys each have to dig a hole a day, and if they find anything interesting they have to give it to the warden.  Stanley starts out finding the digging hard, and getting along with the boys harder.  There are all sorts of codes he needs to figure out.

Stanley’s pathway to lifting his great-great-grandfather’s curse is both complex and simple, and stunningly wrought.  The first part of the novel leaves readers feeling a little confused, on the edge of understanding what’s going on, but not quite getting it.  The second part cleverly litters little clues and the bringing together of the clues is made immensely satisfying for the reader because there is a purpose to everything in the first half – even the bits that seemed irrelevant.  So satisfying!

Everytime I read this book, I find something else to love about it.  This needs to be on everyone’s reading list, and you need to read it more than once.

This book has won a huge number of prizes.  For more information, go to: http://www.louissachar.com/HolesBook.htm

PS – the film version is one of the best book to film adaptations I have ever seen:  http://www.rottentomatoes.com/m/holes/

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Filed under Children 10+, Children 12+, Classics, humour, Uncategorized, YA 14+

Monster – Walter Dean Myers

Monster

Written as a movie script, this book covers the trial of James King and Steve Harmon for the felony murder of a drugstore owner. King is accused of pulling the trigger and Harmon of being the lookout. As the trial proceeds, Steve takes notes in script style, being a keen and talented film club member.

Much of the story explores what truth is – who is telling the truth, what are their motivations, how fallible is their memory, what agenda lies behind the truth being told. Great questions. Steve reflects in jail, ‘we lie to ourselves here. Maybe we are here because we lie to ourselves.’

The line that really stuck with me, though, was from Mr Sawicki to the film club, about fancy camera shots, ‘There are a lot of things you can do with film, but you don’t have an unlimited access to your audience. In other words, keep it simple. You tell the story; you don’t look for the camera technician to tell the story for you. When you see a film maker getting too fancy, you can bet he’s worried either about his story or his ability to tell it.’

The film script is a clever device – using point of view metaphorically and ‘literally’ to position the viewer/reader. The quote above resonates – without wanting to give anything away – especially at the end.

I would think that most teenagers would find something fascinating in this book, and it should be a part of the core curriculum…there are so many things that are clever and thought provoking – especially morally, technically, legally, ethically, creatively, cinematically…

If you loved To Kill a Mockingbird; The Outsiders; That Was Then, This is Now… the list could go on
Highly recommended for 14+.
Everyone should read this book.

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